![]() ![]() Nevertheless TTSU gets it’s job done and has a group of enthusiast users who bit the user interface bullet. Both left a lot to be desired because for in house apps those are never a high priority. It originated from my own workflow which was reflected in both the user interface and overall operation. The Traktor Tag Sync Utility was the first dj related app I released to the public. fast forward to time index 05:00 to skip the dull, but necessary theory and you’ll see what TCK can do This will reduce the processing time dramatically and for instance enable the processing of only tracks that were recently added to the collection. It is possible to limit the scope of TCK to only a part of the Traktor collection. If a TCK processed track is part of playlists the results will be shown in those playlists as well. TCK is lead up by the Traktor collection as opposed to playlists/folders. Gives iTunes the missing option to refresh tags of selected tracks from the track’s ID3 tags.Syncing from iTunes to Traktor also sync’s the date added tag in Traktor.Sync non-standard tags such as star ratings and play count between Traktor and iTunes or vice versa.TCK and iTunes with Traktor syncing or vice versa. Generate sortable comment tags (key-bpm) using the bpm value from Traktor instead of the MiK analyzed value.Adds a ‘0’ in front of Camelot keys with a value lower than 10. ![]() TCK and reformatting key and comment tags: supports all audio format both MiK and Traktor support including FLAC and WAV. ![]() Collects all tracks without a valid Camelot key to a dedicated playlist in Traktor for easy batch delivery to Mixed In Key.Remove Mixed in Key cues without removing user set cues, loops and beatmarkers.Reassing cues and loops to the most logical pad (load cue a the front of the pads, catch loop near the end).Sort cues, loops and beatmarkers chronologically.To avoid setting duplicate cues, TCK checks if there is a user cue (give or take a pre-defined margin) before setting a Mixed in Key cue.TCK can merge Mixed in Key cues with existing cues and loops, replace all existing cues or not use MiK cues at all if the track already contains user set cues.Tracks without a beatmarker are collected to a dedicated playlist in Traktor, the more accurate the beatmarker is set the more usable the Mixed in Key cues are. ![]() TCK is like a swiss army knife when it comes to synchronizing metadata that previously was not sync-able between these three apps. The And The Groove Remains Production Team is proud to release a new app that aids in the integration of Traktor, Mixed in Key and iTunes: Now, there’s a new arrow in the ATGR quiver: the Traktor Cue and Key tool, which lets you sync metadata from Mixed in Key and iTunes to Traktor that’s otherwise inaccessible, such as iTunes ratings, and MiK cue points. Software like Rekord Buddy 2 and the DJ Conversion Utility from And The Groove Remains go a long way towards making the process painless. Note: If you cannot find a latency that is both low enough and interference-free, also read the respective 'Tuning Tips'-article for your operating system linked in the Related Articles area at the bottom of this page.While the big companies certainly don’t prevent you from unlocking your music collection between the various apps, they could certainly go a lot further to making it easier. If the computer is not able to provide the amount of processing power needed to complete all audio calculations in time, you will get crackles and drop-outs in the audio playback. In this case, gradually increase the size of the audio buffer until the playback is clean. A small audio buffer (e.g. 32, 64, 128 samples) will give you the desired low latency, however it will also put more load on the computer. The size of the audio buffer can be set in your ASIO driver settings (Win) or the preferences of your audio software (Mac). The latency is determined by the size of the audio buffer (in samples). If the latency is too high, you will notice an undesirable lag between any input (recording a microphone signal, playing a software instrument via a MIDI keyboard) and the respective output (monitoring your recording in realtime, listening to the output of your software instrument). The term latency refers to the period of time the computer needs to process an audio signal. ![]()
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